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Longs Peak: A Summit Seen in Static and Snow

  • Writer: Kira Ericsson
    Kira Ericsson
  • Dec 10, 2025
  • 2 min read

Updated: Dec 18, 2025


13.5 mile hike, 14,000 feet, 3am wake up call... who wouldn't want to start their Saturday morning this way? As expected, Longs Peak did not appear all at once. It came in pieces—wind rattling my jacket, the crunch of early snow under boots, breath fogging the air before the sun had fully decided to rise. September sits in that in-between space in the Rockies, when summer hasn’t fully let go and winter is already making quiet threats.

There is something...otherworldly, about starting a hike in the pitch black. The world narrows to the thin beam of light coming from my headlamp, leaving the rest covered in a thick blanket of darkness. Step after step, breath after breath, the rhythm of our movement created a steady beat to help get us started. Thoughts soften, leaving our minds quiet but present. time seems to slow and stretch simultaneously. Somewhere above, hidden behind clouds of snow and jagged false peaks, the summit awaits.

As the sun slowly started to show face, trees fade into the distance and we know progress has been made. Granite walls dusted with snow. Wind carving its way through every exposed edge. Eventually the peaceful path we started on led us to the keyhole. Which, felt less like a landmark and more like a threshold, a reminder that from here on, nothing is guaranteed. With no real trail, every move demanded attention. Hands met cold rock. Boots tested icy holds. The route wasn’t brutal, but it was honest. Near the summit, the moment felt less like an endpoint and more like a pause—a brief stillness to recognize how aware and alive you feel standing there.

The decent was met with softer sunlight, tired legs and plenty of turkey jerky. Slowly the mountain released it's hold on us as we re-approached the tree line. Looking back, Longs returned to a distant outline against the sky. But the memory remains, the static in my chest and sight, early September snow, and the knowledge that not everything meaningful needs to be perfectly clear to be deeply felt.

I filmed moments on my camcorder not to document achievement, but to preserve feeling. The grain, the static, the quiet hum of analog noise felt right for this untouched place. Longs Peak doesn’t need high definition—it asks to be remembered imperfectly, the way it’s experienced. In motion. In cold. In effort.



 
 
 

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